Concréte Mixer IV
An evening of solo and collaborative musique concréte
January 30, 2015, 9 pm
3131 Walnut Street
Denver, Colorado 80205
(303) 295-1868
$8 advance / $10 at the door
21+ / www.thewalnutroom.com
http://www.thewalnutroom.com/event/756647-concete-mixer-iv-solo-denver/
“I can feel, as if it were quivering in my memory, the whole drama of these last three years of experimentation […] The miracle of concrete music is […] things begin to speak by themselves, as if they were bringing a message from a world unknown to us and outside us.”
– Pierre Schaeffer, “In Search of a Concrete Music”
The Walnut Room in Denver has been a loyal supporter of experimental and ambient artists, and is a beautiful venue with superior sound and the best audio engineers in town. On January 30, five artists from different realms of performance and composition will convene at the Walnut Room to present an evening of acoustic, analog electronic and digital noises, sound effects and tonal music inspired by the musique concréte form and philosophy. Mark Mosher will create expressive sample-based “instruments” on-the-fly, building up his instruments in real-time by sampling his own synthesizers as well as capturing audio from contact mics, and output from the other artists. To compliment the music and sound, Mark will also project interactive visuals. He will be joined by electronic musicians Rod Tanaka and Mike Metlay, theremin artist Victoria Lundy, Concréte Mixer curator Thomas Lundy, and sound designer and musician Rick Reid all performing solo and interactive work.
Victoria Lundy {Theremin} 
Leave a comment